![]() ![]() Yet whil st in evitably there had been some degree of intercha nge between photog ra phy theory and fi lm theory each, neverth eless, rema in ed fairly di screte from the othe r. ![]() Each of these areas had developed a rich and sophi sticated body of ideas and modes of ana lysis during the 1970S and ea rly '980s, inAuenced by semiotics, Ma rxism, psychoanalysis, post-structuralism md phenomenology. The thinking behind that ini tiative had been to open up a s pace for recons idering the relationship between photographic theory a nd the theory of the moving image as that has been articulated in th e study of fi lm. Th e m ajority of the essays publis hed here were presented there for the first time. The s tarting point for this book was a conference bearing the sa me title organised by Photoforum and held at the Kent Institute of Art and Design in Canterbury in 2004. The Film-Still and its Double: Reflections on the 'Found' Film-Stillįrame/d Time: A Photogrammar of the Fantastic Garrett Stewart Portraits, Still Video Portraits and the Account of the Soul joanna Lowry Stillness Becoming: Reflections on Bazin, Barthes, and Photographic Stillness Real Time: Instantaneity and the Photographic Imaginary Marking Time: Photography, Film and Temporalities of the Image ![]()
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